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*We open to a shot of the classic New York City skyline as the sun slowly begins to rise overheard at the start of yet another day. Tall skyscrapers tower over smaller urban buildings. The cameras now pan down to the ground level and show cars and trucks of various shapes and sizes zoom up and down streets, trying the starting as quickly as possible in the typical New York City style. The camera now goes down the busy sidewalks, showing hundreds of local New Yorkers quickly move along the in numerous directions to go about the normal routines of their average daily lives. In the window of one of numerous local street shops, a discounted LCD television is showing the morning broadcast of the Channel 3 News. The newscaster, a young women in her mid 20s wearing a yellow overcoat with curly mid-length dirty orange hair, now begins her opening monologue....*
Newscaster: Never fall down in New York City, cause noone will ever help you get back up. Not just friendly advice, my fellow New Yorkers. It's words to live by. Cause they could very well save your life. A life I can almost guarantee nobody else cares about, but you. Not your fellow New Yorkers. Not your closest of friends. Not even your direct.....family.
*The newscaster takes a moment to reflect on her words, before continuing....*
Newscaster: And certainly not the New York Police Department. Especially not them. Chief Maxwell Strong likes to say that he and his fellow "boys in blue" protect the people of New York City. And yes, they do. Don't get me wrong. I mean no disrespect to them at all. It's just that their help only comes if you are rich or important enough to get their attention. As for the rest of us, we get no such luck. But....
*The newscaster now smiles and continues....*
Newscaster: As the old saying goes luck is for losers. So to all my fellow losers out there in New York City, all I have to say to you is this in closing. Stay safe. And stay lucky. This is Jessica O'Neill, Channel 3 New York News.
*Unfortunately for Jessica O'Neill, some of her fellow New Yorkers were not so lucky that morning. Across the street from the local shop was a simple little hole-in-the-wall coffee shop and diner called The Lunch Box. Everything seemed to be standard and run-of-the-mill. The local New Yorkers knew it well and it was very popular place. The only problem was it's location, as it was located right in the heart of Clinton. And Clinton sounds like a nice place to live, but that is just what the fancy pants bureaucrats wanted to call it. To everybody else it was still known as Hell's Kitchen. And that name couldn't have been more fitting, cause the devils and demons always seemed to congregate in this suburb of New York City. And this rather quiet morning was not an exception either.
Inside The Lunch Box, the local patrons were busy rushing in and out, getting the morning routine fix of coffee and whatever else helps them gets through the mornings. The popular and busty waitress, Betsy Roberts, was busy greeting and serving various patrons. And off in one corner of the room in a booth by all by himself was a middle-aged gentleman with greying hair named Samuel Shepard. Now Sam, as his close friends and associates call him, was an off and on regular, but due to his busy schedule, he never was able to come around too often. And the locals of Hell's Kitchen could tell from his expensive Armani suit and fancy silver Samsonite briefcase, that he worked in downtown Manhattan on Wall Street for some big time media corporation or financial firm. But today was a special day. A very special day, indeed. It was, in fact, his 62nd birthday. Everybody who worked at the diner knew it too. Especially Betsy.*
So why are they delaying, let's just get this show over with already. Sam thought to himself, knowing eventually what would happened.
*As Sam continued to wait for the inevitable, he looked down at his Rolex watch and realized that he was almost late for his morning meeting.*
Goddamn it. Looks like time is up. Sam thought to himself as he started to get up from his seat in corner.
*But as he got up, Sam suddenly noticed Betsy and the other waitress, Mindy Mundt, bringing out a small vanilla cupcake with fancy sprinkles and a 62 candle on top of it.*
Great. Here they come now. Wanted to wait to surprise me at the last possible minute, no doubt. Sam thought as he now slowly sits back down into his seat, a slight smile of approval coming over his normally stoic face. Good job, ladies. You got me this time.
*Betsy and Mindy now put small cupcake on the table in front of Sam Shepard. Sam now casually glances at his watch, noticing he is now late for work. Sam just slightly smiles again. For once, it actually feels GOOD to be late for work.
*As the two waitresses begin to sing happy birthday to good old Sam Shepard, very badly and off key I might add, the rest of the diner's patrons join in. The lone exception seems to be a young woman in late 20s with bright purple mid-length hair and thick glasses. As the young lady reads the morning edition of the New York Times, she glances over at the nonsense happening across the diner from her. She now eyes the briefcase at the feet Sam for moment, then goes back to reading the paper.
Suddenly the moment of happiness is shattered along with the diner itself by a loud deafening explosion! The explosion rocks the entire diner, sending debris of all shapes and sizes in every direction possible. This includes a rather large shard of glass from the front window, that misses Sam but manages to slash poor Mindy Mundt across the neck.*
Poor Mindy. So much for her singing career. Sam thought as he lay on the ground across the room from where he once sat. He now glances up to see that poor Betsy Roberts was now cut in half by another piece of debris. Betsy didn't deserve that. Nobody did.
*Across the diner, the purple haired girl managed to avoid most of the debris, suffering only minor cuts and bruises. As she now laid on the ground, along with the rest of the dead and injured, a trio of men in black military clothes, combat boots, and ski masks now enter the ruins of the diner. They now walk over to where Sam Shepard was sitting and look around at the debris. One them now speaks a language that is not English. Another one now points down towards the ground. The main one speaking now quickly grabs the silver briefcase. He inspects it and nods his head. He then casually walks over to where Sam Shepard now lay and pulls out his black SIG Sauer P226 handgun and levels it at Sam's head. He now says something in non-English to Sam. But before he can pull the trigger, the sound of distance police sirens is now heard off in the distance. One of the men now yells something and all three men quickly run out of the diner.
The cameras now quickly exit the diner as the sound of police sirens gets closer and closer. They then fade out to a close from there.*
*A few minutes after the explosion that rocked The Lunch Box, ruining another calm New York City morning, the first NYPD affiliated car finally rolls up to the aftermath of the crime scene. The two police officers in the squad car now begin to look over the situation and assess it. The first officer, the passenger, is an athletically built young women in her late 20s with short blonde hair. Her partner, the driver, is the exact opposite of her in everyway.....an overweight, unshaven, and sloppily dressed middle-aged man with dark hair and a thick mustache. The man now tries to talk to his partner, but she is too pre-occupied with listening to the COPS song blaring over the police radio. The man now turns off the radio quickly and tells his partner....*
Overweight Officer: Why do you INSIST on playing that goddamn annoying theme song EVERY single time we roll up to a crime scene, Sergeant?
*Sgt. Jennifer James, now gives her partner a slight smirk and shrugs her shoulders as she tells him.....*
Jennifer James: Cause it's fun, Olly.
*Her partner, Lieutenant Oliver Bogart's eyes now got wide for a moment and he then tells his partner in a serious tone....*
Oliver Bogart: FUN?! You think all this shit happening every single day is FUN?!
*Jennifer just shakes her head in the negative and tells her partner...*
Jennifer James: Not at all. I take my job very seriously. But every now and then, it's fun to lighten the mood, Olly.
*Lt. Bogart can only facepalm for a few moments in disbelief. He now tells his partner even more sternly....*
Oliver Bogart: Oh, for the love of....just GROW UP, Sergeant!
*Jennifer James just smiles and tells her partner in a serious tone....*
Jennifer James: I am a big kid now, Olly.
*Lt. Bogart just shakes his head in disgust as he begins open his door. He now tells her angrily....*
Oliver Bogart: When you decide to take this shit more seriously again, you can join me inside. Jesus Christ!
*Lt. Oliver Bogart now gets out of the police car and slams the door behind him. He brushes himself off and puts his brown fedora hat back on his head as he slowly begins to make his way towards the blown out section of The Lunch Box, that use to be the front of it.
Meanwhile, Sgt. Jennifer James just stews in her seat for a few more minutes. She finally recomposes herself and exits the police car. It was obvious from the start of the morning, she had alot of other things besides her police work on her mind. Her interaction with her partner was just the tip of the so-called iceberg. Jennifer James now takes a deep breath and begins to walk towards the front of the diner.
Back inside the ruins of The Lunch Box diner, Lt. Oliver Bogart was already surveying the scene and trying to talk to whoever was conscious enough to discuss the events that had just unfolded. His mind was racing with various thoughts as well....*
Jesus Christ. Looks like a goddamn war-zone in here. Bogart thought to himself as he continued to look around the diner's wreckage. And it appears that there is no survivors so far either.
*Oliver Bogart now looks down and sees the dead body of the waitress, Betsy Roberts, that was now split in half by the debris. He now shakes his head in disgust...*
Not even everybody's favorite waitress survived. Poor Betsy. She always did make a mean cup of joe for her frequent NYPD patrons. On the house too, as he would know. Bogart thought to himself, reminiscing of his past experiences at The Lunch Box, as he shook his head in disgust. Goddamn it! She didn't deserve this horrible fate. Nobody in here did.
*As Oliver Bogart continued to look around at the all dead bodies and reminisce on his past at The Lunch Box, Jennifer James entered the wreckage of the diner and began to make her own observations, as well. Now unlike her partner who was a frequent patron, Jennifer James never was a fan of that kind of social nonsense.
Just a bunch of dead beat men working dead end do jobs. Ogling the similar dead beat waitress with a dead end rack. Jennifer James just shakes her head thinking about it, as she walks around the diner, observing all the carnage before her. Good times? Yeah right. Give me a fucking break.
*A few more minutes pass as both officer continue to make their observations and survey the crime scene, until Jennifer James notices something out of the normal for a crime scene like this. The body of a man who is completely out of the spectrum of the normal patrons. The body of one Sam Shepard. Jennifer James now looks over the man's body....*
Now YOU defiantly don't belong here, Mr. Fancypants. Jennifer James thought to herself as she slowly knelt down to inspect his body further. She now places her fingers to the man's neck and senses something that should not be there. A PULSE?! HOLY SHIT!
*Jennifer James now quickly gets to her feet and shouts for her partner....*
Jennifer: LIEUTENANT!
*Oliver Bogart now snaps out of his reminiscing and calmly tells his partner....*
Oliver Bogart: Not so loud, Sergeant. You don't have to yell.
*Jennifer James just shakes her head as she tells Bogart...*
Jennifer James: Sorry. But this IS important. THIS MAN IS STILL ALIVE!
*Oliver Bogart's eyes now widen with disbelief and he immediately turns his full focus towards his partner. He now begins to quickly walk over to where Jennifer James is standing. He now asks her....*
Oliver Bogart: Are you positive, Sergeant.
Jennifer James: Of course. The man may be unconscious, but he has a pulse.
Oliver Bogart: Then he's one lucky son of a bitch. Call it in, Sergeant.
Jennifer James: Huh, why me?
Oliver Bogart: What did you just say?
Jennifer James: I was just asking why I should have to call it in.
Oliver James: Protocol, Sergeant. You made the discovery, you get to call it in.
Jennifer James: Right. Goddamn protocol.
Oliver Bogart: Hey watch yourself, Sergeant. Protocol keeps our hands clean.
Jennifer James: If you say so.
*As Oliver Bogart continued to try and explain police protocol to young stubborn partner, he notices a man standing in the shadows outside the wreckage of the diner, listening to their conversation. Oliver Bogart just shakes his head at this discovery and then tells his partner....*
Oliver Bogart: I am NOT gonna argue with about this anymore, Sergeant. Please step outside and call it in.
Jennifer James: Fine. But for future record, fuck your goddamn protocol.
*Jennifer James now walks out of the wreckage of the diner and begins to make the call to dispatch from the police car. As this happens, Oliver Bogart casually walks over to the man that was listening in on his conversation with his partner. The man in question, is in his early 30, unshaven with short messy black hair. His clothes are an unkempted mess, along with a loose tie and brown trench coat. He now leans against the wall of the ruined diner casually smoking a cigarette as Oliver Bogart approaches him.
Oliver Bogart: Striker. I should have known.
*Jonathan Striker just gives a slight smile as he responds....*
Jonathan Striker: Bogart. Nice to see you again, partner.
*Oliver Bogart just shakes his head in disgust and tells Striker in response...*
Oliver Bogart: PARTNER?! And what in the hell do you mean by that?
*Striker just shrugs his shoulders and tells Bogart casually....*
Jonathan Striker: Nothing. Smoke?
*Striker now offers Bogart a cigarette from his packet. Bogart just shakes his head for moment, then takes the cigarette from Striker and begins to light it up. As he does this, Striker tells him....*
Jonathan Striker: And for the record, just because I walked away from the NYPD, doesn't mean we still can't be partners.
*Bogart now gets in Striker's face and tells him sternly.....*
Oliver Bogart: That is EXACTLY what that means, Striker! You QUIT on everybody in the NYPD. Including me.
*Striker now throws the cigarette hard to ground and steps on it affirmatively. He now tells Bogart seriously....*
Jonathan Striker: You all quit on me FIRST. But that is not why I am here.
*Bogart now finishes his cigarette and tells Striker angrily.....*
Oliver Bogart: Then why are you here, Striker?! I mean besides continuing to be a pain in my ass, as always, TACK!
*Tack Striker, as he is regularly known for his constantly annoying pain in the ass tactics, now casually walks into the wreckage of the diner as he tells Bogart....*
Tack Striker: Oh Olly, as charming as ever, I see. But fear not, as your partner....sorry, former partner, I am not here to cause trouble, I am here to help. All you have to do is ask.
*Oliver Bogart now reenters the wreckage of the diner and continues to watch Tack Striker very closely. He now tells him.....*
Oliver Bogart: Ask you? For help? HA! That'll be the day.
*Bogart now flicks his cigarette at Striker, but it misses him. Tack Striker now observes where it lands and goes to put it out. As he does, he notices something that obviously wasn't observed before, smiles to himself, and then tells Oliver Bogart....*
Tack Striker: Well that day is TODAY.
*Striker now kneels down and confirms his observations with a nod of his head, as he puts out the cigarette. He now gets up and tells Bogart....*
Tack Striker: So Olly, I couldn't help but overhear earlier, that you and Sergeant James only discovered one person to be alive. Is that correct?
*Bogart just nods his head in the affirmative as he tells Striker....*
Oliver Bogart: Well as you can plainly see around this place, that is obviously correct.
Tack Striker: So you are certain the ONLY person alive in this diner is that unconscious man in the back corner. The VERY back corner.
Oliver Bogart: YES! Get to the point, Tack!
*Tack Striker now points down the ruined floor of the diner and tells Bogart....*
Tack Striker: Then please explain to me how this trail of blood right here appears to exit the remains of the diner front entrance.
*Oliver Bogart now runs over to where Tack Striker is standing and shoves him out of the way. He now sees the same trail of blood that Striker just observe. Bogart now mouths out loud....*
Oliver Bogart: Son of a bitch.
*Tack Striker just nods his head in approval and takes mocking bow as he tells Bogart....*
Tack Striker: Thank you, ladies and gentlemen, you all have been a lovely audience. Be sure to tip your waitresses. God knows they are gonna need it now more than ever.
*Oliver Bogart is now finally fuming at Tack Striker's antics and he calmly tells him to....*
Oliver Bogart: Just go, Tack.
Tack Striker: Oh come on, Olly. We were having such a good time together too.
Oliver Bogart: NOW!
*Tack Striker finally takes the hints and begins to exit the wreckage of the diner as he continues to banter with his former partner some more....*
Tack Striker: We will definitely talk again, Olly. Maybe we can get together and shoot the shit some more. Reminisce of the good times that will never come again.
*Tack Striker now makes the phone motion with hands as he shouts at Oliver Bogart....*
Tack Striker: CALL ME!
*Oliver Bogart just shouts back at Tack Striker from inside the ruined diner....*
Oliver Bogart: FUCK YOU!
*Tack Striker just shrugs his shoulders and shouts back at him....*
Tack Striker: FINE! I WILL CALL YOU! YOUR NUMBER IS STILL 9-1-1, RIGHT?!
*Oliver Bogart now just gives Tack Striker the finger instead. Tack just smiles and shout at him, as he turns to leave....*
Tack Striker: I'll take that as a yes.
*Tack Striker now begins to leaves but as he does, he bumps into Jennifer James who is now beginning to make her way back towards the diner after calling the police dispatch and filing the crime scene report. Tack Striker now apologizes to Jennifer James as he tells her....*
Tack Striker: Pardon me. That's my bad.
Jennifer James: No problem at all, Mister....
Tack Striker: Striker. Call me Striker. Oh and for the record, I say fuck protocol too. Especially when dealing with overweight assholes like Oliver Bogart. See you around, Sergeant.
*Tack Striker now quickly disappears down the streets before Jennifer James even has time to respond. She then rejoins her partner in the wreckage of the diner. Jennifer James then asks Oliver Bogart.....*
Jennifer James: Who the fuck was that, Olly?
*Oliver Bogart just shakes his head in anger and disgust. He then tell his partner....*
Oliver Bogart: Striker. You'll soon find out no doubt, he's a real pain in the ass too.
*Jennifer James now gives a slight smile and tells her partner...*
Jennifer James: I don't know about that. He seemed alright to me.
*Oliver Bogart just sighs in disappointment and goes back to looking at the trail of blood Tack Striker discovered earlier. He now tells Jennifer James....*
Oliver Bogart: Nevermind that, Sergeant. Come over here. I think I found something very interesting.
*Jennifer James now walks back over to where Oliver Bogart is and begins to investigate the same thing as the cameras close out from there.*
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*Ten minutes. It only took a miserably short ten minutes for the chaos to descend upon the wreckage of The Lunch. The two officers inside the remains of the diner, Lt. Olly Bogart and Sgt. Jennifer James, weren't even done with their investigation when the "vultures" began to gather, watching and waiting to pick it's bones clean. Everyone from all the average Joes and Janes on the street to over a dozen news reporters from every major television station in New York Station. Well almost every station. As Channel 3 New York News was surprisingly late to arrive at the scene. Over FIVE minutes late, in fact. Which in the broadcasting world is never a good thing.
As the Channel 3 New York News van finally arrived on the scene with the smell of burned rubber and screeching tires, a clearly fuming Jessica O'Neill surveys the chaos now unfolding at blown out remains of what was the The Lunch Box. But the wreckage is not what Jessica O'Neill is observing most of all, for the only thing on her mind is that fact that every other major television station is already on the scene.*
Those fucking vultures. O'Neill thought to herself. Look at them all. Stealing MY fucking story.
*Jessica O'Neill now punches the inside of the van in anger...*
Jessica O'Neill: GODDAMN IT!
*Jessica James now exclaims through gritted teeth, while clinching her fist in anger.*
Driver: Jesus Christ. Just calm down, Jess.
*The driver of the news van now tells Jessica O'Neill. The driver is an overweight middle age man with a mid-length black mullet and goatee, wearing a backwards New York Yankees ballcap, demin blue jeans, red and white Nike sneakers, and a navy blue t-shirt with New York News on the front in a white block letters. But the driver's attempts to calm Jessica O'Neill down are an act of futility. In fact, it just seemed to piss her off even more, as she comes up behind the driver while he still sits in the driver's seat. Jessica puts her hand on his right shoulder and calmly tells him.....*
Jessica O'Neill: Kenny, I would be calm if you could do just one little thing for me in the future.
*The now curious Kenneth Cartman or Kenny, to his few associates and even fewer friends, now asks Jessica....*
Kenny Cartman: Oh. And what would that be, Jess?
*The storm is coming with Jessica O'Neill beginning to dig her polished pink nails slowly into Kenny's shoulder as she tells him with slight calm in her voice.....*
Jessica O'Neill: When I step on the gas, I want you to interpret that as.....
*Jessica's nails now turns harder and deeper into Kenny's shoulder as he whimpers to himself. The storm has arrived. Jessica now yells in his ears loudly, unleashing her fury.....*
Jessica O'Neill: PUTTING THE FUCKING PEDAL TO THE FUCKING MEDAL WITH YOUR FAT FUCKING FOOT AND MOVING YOUR FAT FUCKING ASS!
*Kenny now moans out loud in pain from Jessica O'Neill's fury. Jessica now finally lets go of his shoulder. The storm has passed. She now calmly tells him....*
Jessica O'Neill: You can cry later, Kenny. Now grab that fucking camera and move your fat ass.
*Jessica O'Neill now runs her fingers through her curly blonde hair and composes herself before opening the van's side panel door. Jessica O'Neill exits the van as Kenny rubs his shoulder.*
What a fucking bitch. Kenny thought to himself. Kenny now smiles to himself. But goddamn it, that's why I love her.
Jessica O'Neill: KENNY! MOVE IT! NOOOOOOOW!
*Jessica O'Neill yells at Kenny from the driver's side window, cause him to jump in his seat. Jessica O'Neill now yells at Kenny as he begins to get up finally....*
Jessica O'Neill: Kenny, I like you. I really do. But I swear to God if you fuck this story up anymore for me......IT'S YOUR FUCKING HEAD THAT ROLLS! SO LIKE I SAID BEFORE, MOVE YOUR FAT FUCKING ASS!
*Kenny quickly opens the door to van and hops out, his feet hitting the hard pavement with a loud THUD! Kenny now groans to himself in pain for moment. He now slowly walks to the back of the van and opens the double back doors. As Kenny gather his camera and other equipment, The impatient Jessica O'Neill stands over him with arms crossed, shaking her head in disgust, her mood not improving much. Kenny finally gather all the equipment and is ready to go, much Jessica's relief....*
Fucking finally. Jessica thought to herself as Kenny holds out the handheld microphone for her. About time! Jessica though and aggressively snatches the mic from Kenny. She then gives him a dirty looks as she motions for him to follow her.
*As they walks towards the remains of the Lunch Box and where all the other reporters have gathered, Jessica O'Neill tries to compose herself so she can go live in as nice of a mood as she can physically muster at this moment. But her so-called happy mood immediately sours when she sees that a rival newsreporter has already beaten her to the bulk of the media coverage. And it wasn't just any rival, it was.....*
NAOMI NANIMURA! Jessica exclaims to herself in both shock and anger. THAT ASIAN BITCH!
*Jessica O'Neill almost screams out in anger, before composing herself again. Kenny now motions with his free arm to her as yells to her attention...*
Kenny Cartman: JESS! WE ARE LIVE IN ONE MINUTE!
Like hell we are! Jessica thinks to herself as she stomps over a now startled Kenny. She now yells at him.....
Jessica O'Neill: STOP THE FEED!
*The shocked Kenny now exclaims to her....*
Kenny Cartman: WHAT?!
*Jessica O'Neill now begins grabbing at the camera, trying to take it from Kenny. AS they struggle Jessica continues to yell at him....*
Jessica O'Neill: I SAID STOP THE FEED! I AM NOT GOING LIVE!
*Kenny Cartman now tries to keep the camera away from Jessica as now panicked Kenny yells at her....*
Kenny Cartman: OH COME ONE, JESS! NOT THIS AGAIN!
*Several other reporters and people now begins gather to watch as this scene continues to play out. The tug of war over the camera finally ends with Kenny winning out. Jessica now looks around, realizing everybody, including her peers, have been watching them fight. Jessica now begins to act nothing has happened and asks them all calmly....*
Jessica O'Neill: Did you all get what you wanted?
*Most the reporters and people just nod their heads that they indeed did. Jessica now yells at them.....*
Jessica O'Neill: OH GOOD FOR YOUUUUU! NOW PISS OFF!
*After the reporters and everybody else disperse and go back to covering the real story, Jessica now just stands there, completely embarrassed and disheveled from it all. And having lost complete control of the situation that is unfolding, Jessica finally just kicks Kenny hard in his left shin. With a loud yelp of pain, Kenny drops the camera on the pavement, the expensive lens breaking on impact. Kenny now stands there and rubs his shin in pain as Jessica yells at him....*
Jessica O'Neill: GREAT JOB, KENNY! YOU BROKE ANOTHER CAMERA!
I didn't break shit. Kenny only thought to himself, as Jessica continues to yell at him again....[/b]
Jessica O'Neill: SECOND ONE THIS WEEK! I CAN'T BELIEVE IT!
*But Kenny could believe it. As Kenny continued to ignore Jessica's yelling, he slowly knelt down and began picking the broken remains of the poor camera that gave it's life to Jessica's outburst. Jessica now stops yelling at him as she surveys the area, including the remains of the Lunch Box. Outside, Jessica O'Neill notices a figure leaning against the wall of the ruined diner. Jessica O'Neill slightly smirks at that figures sight. She then tells Kenny calmly....*
Jessica O'Neill: Keep doing what you are doing, Kenny. I am gonna take a quick smoke break.
*Kenny just nods his head as Jessica now casually walks over and greets the figure leaning against the wall and it turns out to be....*
Jessica O'Neill: Greetings Sergeant.
*Sergeant Jennifer James. The officer now greet Jessica, as she begins to lean against the wall, next to her....*
Sgt. Jennifer James: Why hello there, Jess. It's always good to see you under these circumstances.
*Jessica O'Neill just shakes her head as she takes her cigarettes out of the yellow jacket's pocket. She now tells Jennifer....*
Jessica O'Neill: And what circumstances are those?
*Jennifer James just shrugs her shoulders, as she pulls her Bic lighter out of her pocket, after noticing Jessica can't fight hers. She hands it to her as she tells her...*
Sgt. Jennifer James: Oh you know the usual. A destroyed Hell's Kitchen diner. A few dead civilians. And my ever abrasive sister causing a ruckus at the crime scene.
*Jessica now snatches the lighter from Jennifer and tells her firmly, as she begins to light her cigarette....[/b]
Jessica O'Neill: ABRASIVE?! I am not abrasive!
*Sgt. Jennifer James now just laughs to herself as she now looks over at poor Kenny Cartman in the distance, still messing with the broken camera and nursing his shin. Jennifer now tells Jessica....*
Sgt. Jennifer James: Kenny's broken camera and bruised shin, say otherwise.
*Jessica can't help herself but laugh at Kenny's misfortunes. She now tells Jennifer....*
Jessica O'Neill: Touche, you win this round, Jen. And by the looks of things, maybe everything else now.
Sgt. Jennifer James: And why do you say that.
Jessica O'Neill: Cause now I have no camera and no story at all.
Sgt. Jennifer James: Well now I wouldn't say that.
Jessica O'Neill: Oh and what do you mean by that?
Sgt. Jennifer James: Well I am a police officer and I have exclusive information that nobody else has, right now.
Jessica O'Neill: Oh really. What about your partner, Detective Bogart?
Sgt. Jennifer James: He can bite me.
Jessica O'Neill: Don't tempt his fat ass, Jen.
*Jennifer James now laughs out loud for a second. She then tells her sister.....*
Sgt. Jennifer James: Good one, Jess. But seriously, Bogart hates the press. Only time you'll catch him in front of the cameras is with his dead body.
Jessica O'Neill: And I am sure he means it too.
Sgt. Jennifer James: Oh he does. So you want that information or not?
Jessica O'Neill: Sure, if you insist. Lay it on me.
Sgt. Jennifer James: Alright. As you are aware, there was a survivor.
Jessica O'Neill: Yep. Some big shot suit from Wall Street. So what?
Sgt. Jennifer James: So what if I told you there was ANOTHER survivor.
Jessica O'Neill: ANOTHER?! WELL HO-LY SHIT!
Sgt Jennifer James: It gets better. Cause we found a trail of blood leading out of the diner too. That means only one explanation.
Jessica O'Neill: That survivor walk away from the crime scene.
Sgt. Jennifer James: Exactly.
Jessica O'Neill: Damn.
Sgt. Jennifer James: But wait, there's more.
Jessica O'Neill: More?!
Sgt. Jennifer James: Yep. I am no expert on explosives, but I am willing to bet this was caused by bathtub Semtex.
Jessica O'Neill: Bathtub Semtex?
Sgt. Jennifer James: You know, C-4. And there is only one known group of terrorists in Hell's Kitchen that uses C-4.
Jessica O'Neill: Goddamn it. The K.I.A.
Sgt. Jennifer James: You got it. So I am willing bet my badge that the Kitchen Irish Army are behind this bombing.
Jessica O'Neill: But why?
Sgt. Jennifer James: Now that IS the million dollar question, isn't it? So it looks like your story now. If....
Jessica O'Neill: IF?!
Sgt. Jessica James: IF you can find your second survivor.
Jessica O'Neill: FUCK! I mean, I've gotta get going. Thanks for everything, Jen.
Sgt. Jennifer James: Don't mention it, Jess. Keep in touch. And stay safe.
Jessica O'Neill: Oh, you bet I will!
*Jessica now throws her cigarette on the pavement and stamps it out. She now begins to rush back over to where Kenny is and begins to once again yell at him to move his fat fucking ass. Sgt. Jennifer James just smirks as she watches this continue. She now begins to head back into the wreckage of the diner to continue her investigation with her partner, Detective Bogart, as the cameras close out from there.*
*A few blocks away from all the Lunch Box chaos, a very different but equally chaotic scene is taking place on third floor of one of Clinton's numerous apartment condos. As the camera go the various run down halls of the complex, we hear muffled shouting in the distance. The voice of Jonathan "Tack" Striker is now heard in the narration the scenario playing out now....*
Tack Striker: Just another typical New York City day. A diner explosion rocks the morning silence. And hell breaks loose. So now people are yelling at each other for the problems they brought on themselves.
*We now see Tack Striker standing outside of an apartment, leaning against the walk smoking a cigarette, as a scantly clad middle aged blonde haired woman is now shown yelling her middle aged scruffy looking husband. A handful of incriminating photographs in her hand. Striker now continues his narration.....*
Tack Striker: Even though I can't help but think that I escalated those problems myself. The woman wanted definitive proof of her husband's adultery. And an end to all the late night lies at three in morning. And end to all the visits with the trashy hookers at the cheap motel outside the city. Well thanks to me, she got it. The proof she needed was in her hands right now.
*At that very moment, the woman throws the photos into the face of her husband. Tack just smirks and continues....*
Tack Striker: Correction. The proof was now all over the floor.
*Tack Striker now watches as the woman begins paintbrushing her husband with light slaps across his unshaven face. His faces turning redder and redder. His fists clinching tighter and tighter. Tack Striker can immediately sense where this is going. But before the husband can move to even attempt to hit his yelling wife, Tack Striker steps in between both of them. He now tells the man....*
Tack Striker: Whoa, buddy. Let's not do that right now, okay? There's no need to add assault and battery to your ever growing roster of martial problems.
*The angry husband now turns his anger and frustration to Tack Striker, rearing back to punch Tack in his face as he yells out.....*
Angry Husband: SON OF BITCH!
*Tack Striker sees the well telegraphed punch coming and dodges it with ease. He then lightly shoves the husband down on his ass. Tack Striker now tells the man....*
Tack Striker: Just stay on your ass until I leave, buddy.
*Tack Striker now turns his attention the wife and tells her.....*
Tack Striker: And I will leave as soon as I get paid.
*The wife now reaches into the cleavage of her bra and produces several crumpled hundred dollar bills. She now hands them to Striker. Striker now counts the money, which is exactly three hundred dollars. AS he did this, the husband his back on his feet and tries to charge at him. But this time, he is met with a roundhouse kick to the chin that lays him out cold on the cold apartment floor. amongst the scattered pictures of his martial transgressions. Tack Striker now turns back to the wife and tells her as he readjusts his tie....*
Tack Striker: Well this was a lovely transaction. Feel free to call me again at anytime.
*The wife just slaps Tack Striker hard across his face in response. He now tells her as he leaves.....*
Tack Striker: Then again, probably not.
*Tack Striker now begins to walk out of the apartment complex as the wife now checks on her still unconscious husband. He now gets into his car, beat up sky blue 1972 Chevrolet Monte Carlo. He now sits in the driver's seat of the car. He now takes a cigarette out of his brown trenchcoat's pocket. He lights with his silver flip lighter, and starts to relax for all the chaos of this New York City morning. He now narrates as he casually smokes his cigarette.....*
Tack Striker: New York City. As much as I hate it's people, still love this fucking city. It may be a crime ridden shit hole, but at least it still feels like home. Home sweet home. Yeah Right. Home sweet hell. But it's still our hell. And THAT makes all the difference in the world. I wish I could just sit back and take it all in, every single day.
*At that very moment, Tack Striker's perfect moment is broken the sound of someone yelling at the top of their lungs. Tack now looks in his rear view mirror to see the angry husband from earlier approaching his car with a New York Yankees edition Louisville slugger. The now startled Tack now exclaims out loud to himself....*
Tack Striker: ON SECOND THOUGHT, I HATE THIS FUCKING CITY TOO! TIME FOR A CHANGE OF SCENERY!
*Tack Striker now begins to start his car as he looks in the side mirror, to see that the angry husband has just about reaches the car. He now shouts out to him.....*
Tack Striker: WARNING! ASSHOLES ARE ALWAYS MORE PISSED OFF AND CLOSER THAN THEY APPEAR TO BE!
*The angry husband now slams the baseball on the back of the car with loud crashing THUD! Tack now yells out again.....*
Tack Striker: FUCK ME! COME ON! START, BABY, START!
*The car finally revs to life and Tack Striker exclaims in excitement.....*
Tack Striker: IT'S ALIVE! IT'S ALIIIIVE!
*Tack Striker now floors the gas pedal as the angry husband tries to drive onto the back of the car, but he missed and lands in the gutter of the sidewalk. Tack Striker just laughs to himself about that and continues to narrate.....*
Tack Striker: Exactly where gutter trash like him belongs. But at least, I got paid this time. Such is the the life of a private investigator for hire. Same old scenarios. Same old clientele. All playing out the same old way. As I said before, I love you New York City. I just wish you loved me back a little more.
*The cameras now fade out to a close as Tack Strikers drives off down the road and further into the heart of New York City.*